Prank and Circumstance
|April Deming (l), Dede Klein|
|(l. to r.) Dede Klein, April Deming, Benjamin Gregg, Micah Harvey|
|Lames Alexander Rankin (l.), Dede Klein|
|(l. to r.) Micah Harvey, Shani Ferry, Dede Klein|
|Dede Klein, Micah Harvey|
By Tom Wachunas
Photos by Jeremy Aronhalt
The series of four plays comprising the 2019/20 season from itinerant Seat of the Pants Productions are offered under the theme of ‘The Kindness of Strangers,’ described as “…posing questions and inspiring dialogue about how we engage with the foreigner, alien, or person who is different in our midst.” There’s something curiously appropriate, even poetic, about landing the first play of the series in a venue as theatrically nontraditional as Canton’s Habitat for Humanity of East Central Ohio.
Directed by Craig Joseph, Ripcord is a wickedly delicious comedy by David Lindsay-Abaire that centers on two elderly widows who turn their time in an otherwise pleasant senior living facility into a mutually adversarial habitat. Talk about odd couples. From the start, chronically cranky Abby (Dede Klein) complains about everything. She can’t stand her bubbly, newly-arrived roommate, Marilyn (April Deming). Abby pleads with a senior center staffer, Scotty (Benjamin Gregg), to assign Marilyn to another room, but to no avail. So when Marilyn - who says she never gets angry about anything – makes a bet, Abby - who says that nothing scares her - jumps at the chance.
The wager? If Abby can first succeed in making Marilyn angry, Marilyn moves out. But if Marilyn can first frighten Abby, Marilyn can have the bed she wants - the one closest to the window with a beautiful view of the park outside.
Pull the ripcord. A madcap game of oneupsmanship ensues, escalating into ever more mischievous practical jokes, and thrusting both women into a scenario of painful revelations about their respective pasts.
The theatrical acumen of Craig Joseph’s entire cast is marvelous. As Abby, Dede Klein presents a visceral rendering of feral grumpiness, colored by a tired cynicism that at times feels, frightfully enough, misanthropic. Similarly startling in her authenticity, April Deming paints a spot-on portrait of Marilyn’s seemingly unflappable kindness and garrulous optimism. It’s fascinating to watch these hopelessly conflicting temperaments subtly morph from a slapstick clash of wills into a pathos which perhaps neither character could have anticipated at the beginning of their prank war.
The supporting cast performs with equally impressive aplomb. Benjamin Gregg is downright endearing as the dutiful resident aide Scotty – patient, infectiously funny, but increasingly exasperated by the womens’ ceaseless shananigans. He’s sure they need to get out more. So at one point, he invites them to visit the haunted house attraction where he’s been hired as an actor. There, he plays a prisoner bellowing his melodramatic pleas for mercy and tearful goodbyes as he’s repeatedly executed in the electric chair. Amidst all of this scene’s belly laughs, there’s a fleetingly heartrending, indeed symbolic moment, wherein Abby stands away from the crowd, not so much scared as haunted by sadness, gazing down at a baby doll that’s been shoved into her arms by a desperate woman (Shani Ferry) pleading for someone to rescue her child.
Meanwhile there are first-rate performances by Shani Ferry as Colleen, and Micah Harvey as Derek, Marilyn’s daughter and son-in-law. Marilyn has enlisted them as co-conspirators in her elaborate plots to scare Abby. In one particularly ingenious scene, we see all of them tethered together for a skydiving adventure led by a stoned-out instructor played by James Alexander Rankin, who later plays Abby’s estranged son, Benjamin, with riveting poignance. In another scene of bizarre, gut-splitting hilarity, Micah Harvey, disguised as a ridiculous rabbit with fiery eyes and gold fangs, attempts to rob Abby at gunpoint as she sits reading on the park bench. She’s perturbed, sure, but definitely not scared. Yet.
Some darker truths about these embattled women are further revealed. But some truths can be freeing. In the end there’s a brief, gentle smile of truce as they sit near that prized window overlooking the park. This wildly entertaining freefall has placed them, and us, in a path of peace.
Ripcord, at Habitat for Humanity East Central Ohio, 1400 Raff Road Southwest, #Ste A, in Canton, Ohio / Performances on Friday and Saturday, Nov. 15 & 16 at 8 p.m., Sunday Nov. 17 at 2 p.m.
Starring: Dede Klein, April Deming, Benjamin Gregg, Shani Ferry, Micah Harvey, and James Rankin. Directed by Craig Joseph; assistant directed by Kyle Huff, and stage managed by Allison Harvey. Set design and construction by Kevin Anderson; Scenic artist - Tim Eakin; costumes by McCarty & Morgan Custom Costumes; lighting by Ayron Lord; props by Lisa Wiley; sound engineer - Megan Slabach; sound design and original music by John Gromada.
Tickets $25, at Evenbrite https://ripcordsotp.eventbrite.com