Mesmerzing Synchronies
Suspended Between Plying Together Out Of The Box Imaginative Space Evoked Lattice Woven X Blue Hue
By Tom Wachunas
Just look around: in modern life, the grid is
everywhere… The grid is the net that connects art with the increasingly ordered
qualities of day-to-day life. As Rosalind Krauss wrote, “logically speaking,
the grid extends, in all directions, to infinity.” - Nessia Pope, ARTSPACE curator, from
“How the Grid Conquered Contemporary Art” (2014)
I think it's really useful to create parameters. The term you use can be forwarded into something more like a grid, a rubric, a system that you apply to all environments, and in so doing you create a situation in which you can locate local color, local differences within new environments. - Kehinde Wiley
liminal: of, relating to, or situated at a sensory
threshold ; of, relating to, or being an intermediate state, phase, or
condition : IN-BETWEEN, TRANSITIONAL
synchrony: the way in which two or more things
happen, develop, move, etc. at the same time or speed
EXHIBIT: LIMINAL – paintings by Mary Crane Nutter / THROUGH AUGUST 18, 2023,
at Strauss Studios Gallery / 236
Walnut Ave NE in downtown Canton, OH / M – F 10a.m. to 5p.m.
Background / Bio info and images: https://john-strauss-furniture.myshopify.com/collections/mary-crane-nutter?page=1
EXCERPTS: Mary Crane Nutter lives in Walla Walla, Washington, where her studio is located at her home/small farm with a traditional wood barn. Several years ago, she partnered with her sister, Sarah Crane, a graphic designer and photographer to create a neighborhood art and performance experience for the local community at the farm. In creating that experience, she began to make color blocked paintings on panels that were inspired by Pennsylvania Dutch barn star artwork… “If it had not been for that experience, I would not be making the paintings I am making today”, she explained. “It is here in Walla Walla, while immersed in quiet country living… that my mind travelled back to fond memories of my late Grandmother Doris and the many hours I spent as a child watching her create beautiful quilts.
Think about what Mary Crane Nutter has called
her immersion in “quiet country living” as an initial motivation - and a conceptual
foundation – for making her mesmerizing acrylic paintings on wood panels. Most
of her works in this exhibit are layered geometric abstractions rendered with mellifluous
chromatic harmonies and a vigorous
linear precision.
Interestingly enough, there are few instantly
familiar rural or agricultural tropes, much less any stereotypical scenes of
what we would readily identify as bucolic, pastoral or backwoodsy. In that
sense they’re not prosaic illustrations of specific localities so much as poetic
implications. I’m thinking of them as metaphorical pictographs. Poetry for the
eyes.
A central formal element in Nutter’s intricate
compositions is the inclusion of intermingled grid motifs in varying dimensions
and positions. Here are grids within grids. They can suggest any number of life’s
recurring physical patterns and topographies, like meticulously stitched
patchwork quilts; like houses or barns or whole neighborhoods – themselves typically
constructed on wooden grids; like the fields on which those structures stand,
fields often scored and furrowed with crisscrossed lines left by by plows or
lawn mowers or rows and rows of crops; like woodlands with their networks of
vertical tree trunks and horizontal branches.
Embedded within many of these grid
configurations are circular forms. Such bold emblems might suggest everything
from windows and magnifying lenses, to shimmering, multi-colored bubbles
reflecting a changing sky, or the organic textures of soil and wood.
In any case, they
serve perhaps as arresting encouragement for viewers to fully look a-round at
Nutter’s intriguing ciphers. And really, the only requirement for decoding them
is to immerse yourself in the grid – the country, if you will – of your own
imagination.
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