On A Mission
Kelly Cocoran Rachel Hagemeier Matthew Jaroszewicz
Please note that all the text following
this brief introduction has been copied from the Canton Symphony Orchestra
(CSO) website and Facebook page. Consider it an invitation to listen to a
series of 6 podcasts (with more to follow), premiering this Friday, January 8,
and hosted by Matthew Jaroszewicz (CSO Associate Conductor) and Rachel
Hagemeier (CSO Manager of Education and Community Engagement). At this point, I
can only add that the scope of this visionary project is one of vital relevance
and importance. Stay tuned!!
In just a few short days, Canton Symphony will be premiering
a new podcast, Orchestrating Change. This podcast will facilitate
conversations that will make the concert hall a more welcoming place for
previously ignored communities as well as create more acceptance and diversity
on the stage.
In the first episode, Kelly Corcoran leads us in a
conversation about the perspectives of audiences and musicians in the field of
classical music. She pushes us to see a possible future where tradition is
honored and the future is embraced by diverse audiences and musicians. How can
the field of orchestral music keep relevance in today's times and how do we
engage in music in our everyday lives in a way that will allow us to embrace
the future of orchestral music? Tune-in to find out.
Sign-up to receive a notification when the first episode is aired on Friday, January 8th.
https://www.cantonsymphony.org/orchestrating-change/
Kelly Corcoran bio:
https://www.cantonsymphony.org/episode-1-kelly-corcoran/
Orchestrating change in our community.
Canton Symphony Orchestra knows the need for change within
the orchestral community. The tradition of classical music has ignored many
communities that have contributed to the development and canon of repertoire
played in the concert hall. While Canton Symphony is a regional orchestral,
change starts at the smallest level.
With “Orchestrating Change”, the Canton Symphony Orchestra
hopes to facilitate conversations that will make the concert hall a more
welcoming place for previously ignored communities as well as create more
acceptance and diversity on the stage.
Goals
*Be a platform for open discussion about diversity and
inclusion in the orchestral community.
*Be a platform for Black, Latinx, Asian, female, and
LGBTQAI+ musicians, composers and administrators as well as other ignored
demographics.
*Educate our audience to issues surrounding diversity and
inclusion and expose our current patrons to more music by Black, Latinx,
female, Asian, and LGBTQAI+ musicians and composers.
*Bring new audience to the orchestra by creating a more
welcoming community that is reflective of the demographics in our Canton, Ohio
community.
*Move the CSO forward to programming more diverse music as
well as increasing diversity within the organization.
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