Scintillating Sixth Sense Sojourns
80s Track Suit |
Olives and Company |
Aerial View 2 (top)/ Aerial View 1 |
Road Signs |
Oh My |
Lessons of Fatherhood 1-4 |
Refraction 2 (top) / Refraction 1 |
By Tom Wachunas
“I make no distinction between poetry and painting.” - Joan Miró
EXHIBIT: Departures
/ recent paintings by Christopher Triner / at John Strauss Studios Gallery,
236 Walnut Ave NE, Canton, OH / Gallery hours: M – F 10a.m. to 5p.m. THROUGH OCTOBER 13, 2023 / Artist
Reception on Friday, Oct. 6, 6:00-9:00 p.m.
https://john-strauss-furniture.myshopify.com/collections/christopher-triner
Prior
to seeing this exhibit, my last encounter with the work of prolific painter
Christopher Triner was his solo show called “Detours,” at Cyrus Art Gallery one
year ago. Here’s what he wrote then about his exquisite landscapes and arboreal
scenes: "We have all found ourselves looking for “detours” during the
last two and a half years. Ways to pass time; ways to stay safe; ways to calm
our own anxieties; and maybe even ways to escape. My detours found me traveling
near and far to appreciate simplicity, solitude, and a bit more of
myself." He focused on
representing nature as a beautiful, comforting refuge, rendered with a luscious
palette, and pulsing with a luminous serenity.
Here’s a link to my
post about that show, in case you’re interested:
http://artwach.blogspot.com/2022/08/roads-into-arboreal-auras.html
Switch gears now, and fast-forward to more
recent work featured in Triner’s current solo exhibit titled Departures. Here’s
some of what he has written about these very distinctive abstractions: “…I
see my work as still a type of topography or map-making of landscapes, but now,
I cannot visually see the trails, the paths, and the light sources from images;
only in the arbitrary occurrences that happen on the painting surfaces…”
Departures, then? In the particular style
of imagery, certainly. Yet Triner’s newer paintbrush trawlings are nonetheless tantalizing
arrivals in their own right. They’re intimate, contemplative visits to…elsewhere.
Sensing the seine, pith, and marrow of these abstractions is to enter a
psychogenic ‘place’ – Triner’s as well as your own. So, how sharp is your sixth
sense these days? To get into it, you’ll need to intuit.
Triner’s paintings
are kinetic, performative actions. They’re not static, objectively illustrated
geophysical scenes, but rather energetically encrypted expressions of a state
of mind and heart. Call it a meditative choreography of moods and memories filtered,
unraveled, and reconfigured as if to the beat of the painter’s brush hearing
music.
To be complete, all
they need now are willing partners. Care to listen and dance along, anyone?
1 comment:
Tom - as always you get to the heart of the matter. Here it is about the interaction between painter and viewer in a novel manner. Thank you for your attention to this show and all of our exhibits!
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