Vinyl Destination (Part 1?)
By Tom Wachunas
"Tom Wachunas' Spare Changes is by far one of the best (and unknown/underappreciated) singer-songwriter records ever made. Classifying the album within a specific genre is a terribly difficult feat -- acid folk? folk rock? psychedelic? A true cornucopia of instrumentation -- sax, vibes, kalimba, tabla, guitars (including One St. Stephen guitarist Bruce Roberts), accordion(!) and highly introspective lyrics. Imagine being on a Caribbean cruise ship in 1975, and Neil Young happens to be croonin' with a 12-piece band on some new material that never saw the light of day. Recorded in Columbus, Ohio USA in 1975 at the now-defunct Owl Recording Studios, Spare Changes was actually Tom Wachunas's graduation project for his Masters in Fine Arts from The Ohio State University. Extremely rare -- only 1,000 copies of the original pressing were manufactured. Owl Recording Studio operated from 1973(ish) through 1977 under the direction of Tom Murphy, who would eventually go on to run the famous Track Record Studios in North Hollywood. Tom Murphy's blessing and involvement in sourcing the audio were essential in making this reissue happen." - from Gotta Groove Records.
Maybe consider this
post as a “nostalgic resume artifact.” It seems like an eternity ago, but back
in the summer of 2019, Matt Earley, President and co-Founder of Gotta Groove
Records, contacted me out of the blue to let me know that he was interested in reissuing
my long-out-of-print record album of original songs, Spare Changes. The
album is now available again, miraculously re-mastered from the only very
scratched-up copy of the album I still own (the original 8-track master tape
from 1975 was lost). I am deeply grateful for, and thoroughly amazed at the
technical excellence of this reborn recording, and all the remarkable work that
went into achieving it. THANK YOU MATT EARLEY AND ALL THE PEOPLE AT GOTTA
GROOVE Pressing Plant in Cleveland!! The reissue includes an insert with the
song lyrics and new liner notes I wrote. Here those notes:
Who, or what,
had I become by the summer of 1975 in Columbus, Ohio? The long and short of it
is that the songs of Spare Changes tell the story a 24-year old geeky
hippie painter who was something of an introverted poet, a mediocre self-taught
acoustic guitarist, a passionate if not prolific singer-songwriter, and an
inveterate Romantic striving to embrace the pleasures and pains of love and
loss, of comings and goings, of hellos and goodbyes.
Spare Changes,
then, is a veritable rollercoaster ride through the emotional and spiritual
peaks and valleys of various relationships with some very lovely young women in
my own very young life. There’s doubt and some anger in the album
opener, Blues; the bittersweet light of acceptance and gratitude offered
in the album closer, Happy the Man. In between, matters of the heart
understandably enough take a number of complex twists and turns. There’s
palpable longing in the gentle ballad, Sailboat, and a sense of hope in Each
Day’s Passing; nostalgic fondness in Remember You That Way;
and again, the cathartic power of hope in I’ll Be Better Soon.
If there’s a
real burning torch song in this collection, it may well be Poets Never
Win. The lyrical perspective is admittedly that of the rejected suitor who
clearly has a big ego and lots of self-pity. But looking back on that
particular tune in the larger sense of savoring the entire process of recording
this album, I realize that unlike the poet wallowing in the resentment
described in the song, I certainly did win in the end.
Beyond the thrilling experience of the actual recording
sessions at Owl Studios, two memories remain especially resonant.
First, there were the rehearsal / jam sessions. On two
occasions (or was it three?), about a week apart, the musicians – 10 of us at
one point – and all their gear piled into the first floor of the old 2 ½-story
rented house where I was living (very near the OSU campus) with a few other
artist friends/classmates. Full drum set, electric instruments, tangles of
wires, mics, amps… the works. The walls shook, the furniture rattled, the roof
was risin’. Wide-eyed, smiling neighbors from around the block came up onto the
long front porch, their faces pressed against the screened windows, peering in.
Cheering and clapping and even some dancing. For a brief while it all felt like
a micro- Woodstock festival.
Later in the summer when the album test-pressing arrived,
I was honored to be interviewed by WCOL FM’s Terry Wilson, a great friend to
Owl Recording Studios. Along with the interview, he played the album for one of
his popular “Home Grown In the Studio” programs. Hearing that night-time radio
broadcast was humbling, and filled me with a gratitude that still stirs in me
even after all these years. I had joined a very special family of artists.
And so to this day I remain grateful for the blessing of working with superior musicians - all gifted creators and arrangers in their own right. I still treasure the remarkable technical skills they poured into the music, as well as our camaraderie. Far more than simply backup players, they were true partners and collaborators who generously articulated the spirit of the songs. Happy the man indeed.
There’s plenty of additional background here for those of
you interested in opening these hyperlinks, starting with some history of Owl
Recording Studios:
http://buckeyebeat.com/owlrecords.html
Then, a YouTube recording of all the songs here:
https://www.youtube.com/watch?v=oQ_0pMACuYI&list=OLAK5uy_lJYOQW0s4Tb-Z-q054Edx_pVQ4ZGsYl2U&index=2
But wait, there’s more! Here’s the fascinating history and info
about Gotta Groove Records, including an excellent YouTube video on the
Cleveland pressing plant and the process of making vinyl records:
https://www.gottagrooverecords.com/
And
vinylly, got a turntable? if you wish to order an album directly from Gotta
Groove Record Store, you can purchase at this site:
https://www.gottagroovestore.com/product/tom-wachunas-spare-changes/
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